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He was a bridge not only to jazz history, but to the enjoyment of jazz in the present moment. Taylor's legacy as an educator, advocate, performer, and composer (the last of which will grow beyond "I Wish I Knew How It Would Feel to Be Free") adds up to more than the sum of its parts. He was a longrunning cultural correspondent for the CBS television program Sunday Morning.He was a prominent New York City jazz DJ in the 1960s who went on to work as a jazz host for National Public Radio for many years.He wrote "I Wish I Knew How It Would Feel to Be Free," which became a civil-rights anthem in the 1960s for singer-pianist Nina Simone.His trio recordings with musicians such as Candido and Machito in the 1950s helped further the emergence of Latin jazz.
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He started the Jazzmobile, a free outdoor jazz concert series in New York City, with a special emphasis on bringing jazz to young African-American audiences.He was the house pianist in the early 1950s at the legendary New York City jazz club Birdland.Peter Keepnews' obituary in the New York Times gives a strong summary sense of Taylor's career and his impact upon both audiences and his fellow musicians. Taylor, who passed away Tuesday at the age of 89, got his start on New York's famed 52nd Street in the 1940s and became not only a master pianist, but perhaps the greatest spokesperson that jazz has ever had. It's hard to imagine the jazz world without Billy Taylor in it.